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Slash and his Bich can be seen all over the world playing with GNR using this custom built masterpiece. Word spread, and throngs of musicians like Barry Mc Guire and David Lindley started bringing in Martins and Gibsons for work and daring modifications, such as disassembling a Martin D-18 and putting in a 12-string neck.
Rich Beginnings During the ’80s, the wild shapes of B. Rich guitars proved to be the perfect match for the over-the-top theatrics of the burgeoning heavy metal craze. By the early ’60s, folk music had become popular and folk artists started bringing in their acoustic steel-string guitars to the shop for repairs.
All the workers were from Mexico, and both shops freely interchanged parts. Now I have my own Custom Shop utilizing my past ideas and new designs. If you are still monitoring this board, I have seen you offer up wiring diagrams and information to others and would like your permission to send some pics and gain some information on this guitar. I found a few pics of bitch models with the same fret board, but nothing else. It was my first Bass guitar and means the world to me ... Rich Dreadnought with spruce top and Brazilian rosewood body in 1976. It has diamond-shaped pearl inlays for fret markers which I have not seen on any other pics of the ST-III's I've found online. The serial g1966 leads me to think that perhaps it was a limited edition i.e. Trans green, diamond shaped inlays, neck through, mahogany binding between the neck and body, dimarzio pickups, Grover tuners.This led to his first attempts at guitar production in the form of about ten Les Paul-shaped guitars and basses modeled after the Gibson EB-3.Around 1972, Bernie and an employee named Bob Hall started developing a model they called the Seagull (which has no connection to the Godin Guitars acoustic brand).